Helen Frankenthaler once said there are no rules to art.
It's a philosophy that allowed the artist to experiment and create her soak-stain technique, in which she would thin oil paint with turpentine to the consistency of watercolor and then pour it onto an unprimed canvas.
"Usually when artists start to work on canvas, they paint it with this kind of gluey substance that closes up the pores of the canvas,鈥� said Margaret Miller, director of the .
鈥淏ut Helen really wanted them to stay open so that the paint would sink in to that surface, almost staining it."
Now widely regarded as one of America's most influential artists, Frankenthaler was one of the few women to break through at a time when the art world was still dominated by men.
She was an important figure among the second generation of postwar American abstract painters and is widely credited for playing a key role in the transition from Abstract Expressionism to painting and .
"It's sort of post abstract expressionism which was more robust,鈥� Miller said. 鈥淟yrical abstraction is more painterly, and in some ways more refined in terms of the line and the forms. She became very known for that and I think influenced other artists, and certainly her work is in every major museum collection."
The exhibit at USFCAM was inspired by a recent major gift to the museum.
"The gave to just university-based museums and they had to be collections that had a focus on printmaking, and of course USF has a focus on printmaking because of ," Miller said.
While her early career focused on painting, Frankenthaler would also become known for her collaboration with printmakers. She began this work in 1961, and for the next decade she worked on lithographs, etchings and woodcuts. Images that, while smaller, still capture the same whimsy found in her canvases. Each discipline is represented in the current exhibition.
The artist died on December 27, 2011 at the age of 83, but Miller says Frankenthaler鈥檚 work has served as an influence on several generations of artists including, a Los Angeles based artist who is featured in a companion show at the museum.
鈥淗er paintings are very large and beautiful,鈥� Miller said. 鈥淭he work is almost as if you鈥檙e in the sea, there鈥檚 no gravity and it feels like they鈥檙e floating and you can float with them. I felt like after this period of COVID, it鈥檚 really wonderful to see this young artist with these bright colors and eccentric and fluid forms that seems so innovative.鈥�
runs through July 30, 2022 at the USF Contemporary Art Museum.
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