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Maureen Corrigan
Maureen Corrigan, book critic for NPR's Fresh Air, is The Nicky and Jamie Grant Distinguished Professor of the Practice in Literary Criticism at Georgetown University. She is an associate editor of and contributor to Mystery and Suspense Writers (Scribner) and the winner of the 1999 Edgar Award for Criticism, presented by the Mystery Writers of America. In 2019, Corrigan was awarded the Nona Balakian Citation for Excellence in Reviewing by the National Book Critics Circle.
Corrigan served as a juror for the 2012 Pulitzer Prize in Fiction. Her book So We Read On: How The Great Gatsby Came To Be and Why It Endures was published by Little, Brown in September 2014. Corrigan is represented by Trinity Ray at The Tuesday Lecture Agency: trinity@tuesdayagency.com
Corrigan's literary memoir, Leave Me Alone, I'm Reading! was published in 2005. Corrigan is also a reviewer and columnist for The Washington Post's Book World. In addition to serving on the advisory panel of The American Heritage Dictionary, she has chaired the Mystery and Suspense judges' panel of the Los Angeles TimesBook Prize.
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Rumaan Alam’s previous novel was an inspired swirl of suspense, social commentary and apocalyptic disaster. His latest is about a young Black woman working for a uber-rich white philanthropist.
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In Creation Lake, a hard-drinking American spy infiltrates a radical farming collective in a remote region of France. Kushner challenges readers to keep up with her and not to flinch.
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Ian Frazier’s signature voice — droll, ruminative, generous — draws readers in. But his underlying subject here is even bigger than the Bronx: It’s the way the past “bleeds through” the present.
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Camille Peri's lively and substantive dual biography of Fanny and Robert Louis Stevenson offers a glimpse of their unconventional marriage — and an inspiration for living fearlessly.
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Dinaw Mengestu's ingenuity and eloquence as a writer are on display in this novel about an Ethiopian American man who returns home only to learn that his father has just died.
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Rosalind Brown's debut novel, Practice, centers on an undergraduate student trying to write an essay on Shakespeare. Along the way, we are treated to the fleeting insights of the the brain at work.
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There’s something about the shadowy moral recesses of crime and suspense fiction that makes those genres especially appealing as temperatures soar. Here are four novels that turn the heat up.
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Catherine Newman's novel Sandwich centers on a woman vacationing with her young adult children and her elderly parents. Julie Satow’s When Women Ran Fifth Avenue profiles three NYC department stores.
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Jill Ciment was 17 in 1970 when she got involved with the 47-year-old teacher who would become her husband. Now widowed, she reconsiders the relationship — and its "poisonous" beginnings.
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Messud draws from her grandfather's handwritten memoir as she tells a cosmopolitan, multigenerational story about a family forced to move from Algeria to Europe to South and North America.
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TĂłibĂn's latest, a sequel to his 2009 novel, Brooklyn, is a devastating portrait of an Irish immigrant whose Italian American husband is expecting a baby with another woman.
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The Letters of Emily Dickinson collects 1,304 letters, starting with one she wrote at age 11. Her singular voice comes into its own in the letters of the 1860s, which often blur into poems.